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Forward Motion

Everything is a pickup. - Miles Davis
This quote reinforces the all-important concept of musical tension and release. Music is not static, it wants to go somewhere. The concept of Forward Motion is based on the following:
  • Beat one is the strongest rhythmic beat of the measure.
  • Rhythmic resolution works best when phrases end on the strongest beat.
  • To further strengthen tension and release and enforce musical logic, end phrases on a chord tone on beat one.

This challenges the common approach of thinking of beat one as the first beat of the measure.
Your playing will be strengthened if you conceive of beat one as the last beat of the measure!

Most improvisers make pitch choices after a chord is introduced. Playing pickup notes and phrases outlining the harmony before the chord is played by the rhythm section makes more musical sense. Ending your phrase on beat 1, or a ½ beat before 1 (harmonic anticipation), is rhythmically and harmonically strong.

This does not mean you should never begin your ideas after the chord is introduced; it just means, in general, have your phrases go towards the harmony as opposed to away from the harmony. To learn more, and for a deeper understanding and explanation, I highly recommend Hal Galper’s excellent book Forward Motion.


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  • Home
  • Pathways Towards Greatness >
    • Books >
      • Bb Blues >
        • Bb Blues Walking Bass
        • Bb Walking Bass Lines TAB pdfs
      • C Minor Blues >
        • C Minor Blues Walking Bass Line
      • F Blues >
        • F Blues Walking Bass Line
        • F Blues Walking Bass Lines TAB pdfs
      • Perdido >
        • Perdido Walking Bass Line
      • Purr D Dough
      • Purr D Dough Walking Bass Line
      • Sew Hut >
        • Sew Hut Walking Bass Line >
          • Sew Hut Walking Bass Lines TAB pdfs
      • So What
      • So What Walking Bass Line
      • Steak the 8 Trane
      • Steak the 8 Trane Walking Bass Line
      • Take the A Train
      • ​Take the A Train Walking Bass Line
      • Strong 4 My Fodder
    • Foundation >
      • Approach Notes
      • Bebop Scales
      • Defining Tones
      • The Dominant Cycle
      • Enclosures
      • Forward Motion
      • ii- V- I chord progression
      • Line Clichés
      • Major Blues Scale
      • Playing Fast w/ Christian McBride and Carl Allen
      • Major Scales
      • Minor Scales
      • Passing Tones
      • Permutations
      • Seventh Chords
      • Simplifying Chord Changes
      • Swing 8ths
      • Triads
      • Voice Leading
      • Walking Bass Lines
    • Pathways >
      • 15 Mistakes Beginner Jazz Improvisers Make
      • Attitude is Everything
      • Crucial Walking Bass Patterns
      • Deep Practice
      • Greatest Walkling BassLine Approach
      • Hal Galper's Piano Lesson - Minimizing Emotion
      • How Deep is Your Beat - Bob DeBoo
      • How to Practice
      • How to Walk Like Ray Brown
      • The Illusion of An Instrument - Hal Galper
      • Imitate, Assimilate, Innovate
      • Inspiration, Education, Fun
      • Intention, Internalizing, Ingraining
      • Random Chords Demo
      • Rhythm
      • Rhythm and Syncopation
      • Right Hand Pizzicato Technique Perspectives
      • River of Rhythm Demo
      • The "Secret" to Improving Your Rhythm and Time by Chick Corea
      • Some Awesome Walking Jazz Bass Players
      • Spirit
      • Theory vs Language
      • The History of Jazz Bass in 15 Choruses
      • Transition Position Demo
      • Tribute to Ray Brown Trio, - Benny Green, Christian McBride, Greg Hutchinson
      • Walk Like Ron Carter Imitate, Assimilate, Innovate
      • What is Practicing?
      • You Aint't Ever Seen a Walking Bass John Clayton
      • Your Sound is Your Signature - Christian McBride
  • About
    • Educator
    • Family Ancestry >
      • Sarrazin / Gilbert
      • Sinicrope (Sinicropi) / Scali
    • Musician
    • Seeker
  • Gallery
  • Calendar
  • Contact