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Perdido is a 1941 song composed by Juan Tizol. Juan was a Puerto Rican valve trombone player who is best known for his long tenure in the Duke Ellington Orchestra and for his composition of the popular tune Caravan. The meaning of the Spanish and Portuguese word Perdido is “lost”. Perdido is listed as the 58th all time jazz standard on JazzStandards.com. The song has a wonderful ‘shout chorus’ that is a counter melody that sometimes gets played during performance either before trading 4s with a drummer or at the end of the tune.
 
Perdido’s chord changes offer a great way to develop mastery of the iim7 V7 IMaj chord pattern and the Dominant Cycle as the tune’s harmony can be simplified to these two chord progressions. The song has an AABA form and is most often played in Bb.
Here are some simplifications of its harmony:
Picture
Famous recordings of Perdido include versions by:
Dave Brubeck – Dave Brubeck Newport (1958)
Duke Ellington - Ellington Uptown (1942 & 1953)
Ella Fitzgerald & Oscar Peterson - J.A.T.P. In Tokyo - Live at the Nichigeki Theatre (1953)
Illinois Jacquet – Live at Carnegie Hall (1947)
Charlie Parker - Jazz at Massey Hall (1953)
Stuff Smith – Live at Tom Hall (1945)
Sonny Stitt – Salt & Pepper (1963)
Art Tatum - The Tatum Group Masterpieces, Vol. 3 (1955)
Sarah Vaughan – The Roulette Years (1990)
Ben Webster – Live at Newport (1964)


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  • Home
  • Pathways Towards Greatness >
    • Books >
      • Bb Blues >
        • Bb Blues Walking Bass
        • Bb Walking Bass Lines TAB pdfs
      • C Minor Blues >
        • C Minor Blues Walking Bass Line
      • F Blues >
        • F Blues Walking Bass Line
        • F Blues Walking Bass Lines TAB pdfs
      • Perdido >
        • Perdido Walking Bass Line
      • Purr D Dough
      • Purr D Dough Walking Bass Line
      • Sew Hut >
        • Sew Hut Walking Bass Line >
          • Sew Hut Walking Bass Lines TAB pdfs
      • So What
      • So What Walking Bass Line
      • Steak the 8 Trane
      • Steak the 8 Trane Walking Bass Line
      • Take the A Train
      • ​Take the A Train Walking Bass Line
      • Strong 4 My Fodder
    • Foundation >
      • Approach Notes
      • Bebop Scales
      • Defining Tones
      • The Dominant Cycle
      • Enclosures
      • Forward Motion
      • ii- V- I chord progression
      • Line Clichés
      • Major Blues Scale
      • Playing Fast w/ Christian McBride and Carl Allen
      • Major Scales
      • Minor Scales
      • Passing Tones
      • Permutations
      • Seventh Chords
      • Simplifying Chord Changes
      • Swing 8ths
      • Triads
      • Voice Leading
      • Walking Bass Lines
    • Pathways >
      • 15 Mistakes Beginner Jazz Improvisers Make
      • Attitude is Everything
      • Crucial Walking Bass Patterns
      • Deep Practice
      • Greatest Walkling BassLine Approach
      • Hal Galper's Piano Lesson - Minimizing Emotion
      • How Deep is Your Beat - Bob DeBoo
      • How to Practice
      • How to Walk Like Ray Brown
      • The Illusion of An Instrument - Hal Galper
      • Imitate, Assimilate, Innovate
      • Inspiration, Education, Fun
      • Intention, Internalizing, Ingraining
      • Random Chords Demo
      • Rhythm
      • Rhythm and Syncopation
      • Right Hand Pizzicato Technique Perspectives
      • River of Rhythm Demo
      • The "Secret" to Improving Your Rhythm and Time by Chick Corea
      • Some Awesome Walking Jazz Bass Players
      • Spirit
      • Theory vs Language
      • The History of Jazz Bass in 15 Choruses
      • Transition Position Demo
      • Tribute to Ray Brown Trio, - Benny Green, Christian McBride, Greg Hutchinson
      • Walk Like Ron Carter Imitate, Assimilate, Innovate
      • What is Practicing?
      • You Aint't Ever Seen a Walking Bass John Clayton
      • Your Sound is Your Signature - Christian McBride
  • About
    • Educator
    • Family Ancestry >
      • Sarrazin / Gilbert
      • Sinicrope (Sinicropi) / Scali
    • Musician
    • Seeker
  • Gallery
  • Calendar
  • Contact